Monday, April 26, 2010

John McLaughlin & The 4th Dimension - To The One (2010)


Bill Bruford & Michiel Borstlap - In Two Minds (2007)

1. Kinship
2. In Two Minds
3. From The Source, We Tumble Headlong
4. Flirt
5. Low Tide, Cmber Sands
6. The Art Of Conversation
7. Conference Of The Bees
8. Sheer Reckless Abandon
9. Duplicity
10. Shadow Dance
11. The Old One Out
12. All Blues


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Wednesday, April 21, 2010

Elvin Jones - Genesis 1971

P.P. Phoenix 4:56
For All The Other Times 10:00
Slumber 5:16
Three Card Molly 8:25
Cecilia Is Love 10:10

Bass - Gene Perla
Drums - Elvin Jones
Saxophone [Tenor, Soprano] - Dave Liebman* , Joe Farrell
Saxophone [Tenor], Flute [Alto] - Frank Foster


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Tuesday, April 20, 2010

Peter Brötzmann, Fred Hopkins & Rashied Ali - Songlines: Music Is a Memory Bank for Finding One's Way About the World (1994)

1. No Messages
2. Old Man Kangaroo
3. Man in a Vacuum
4. ...It Is Solved by Walking
5. Songlines
6. Two Birds in a Feather


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Monday, April 19, 2010

Loren Stillman · Winter Fruits

Loren Stillman-alto saxophone
Nate Radley-guitar
Gary Versace-organ
Ted Poor-drums

1.Muted Dreams
3.Man of Mystery
4.With You
5.Like a Magic Kiss
6.A Song to Be Played
7.Winter Fruits


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Ralph Bowen Quintet - Soul Proprietor

February 28, 2002

On his first Criss Cross date since 1992, tenor sax master Ralph Bowen tackles the enspiriting organ-and-horns function with masterful aplomb, imparting clever reharmonizations and rythmic manipulations to the lingua franca that fire the creative juices of his top-shelf New York rhythm section, with Peter Bernstein on guitar, Hammond B3 organist Sam Yahel, the great Brian Blade on drums, and Philly trumpet master John Swana.

1. Invitation (Bronislaw Kaper)
2. Soul Proprietor (Ralph Bowen)
3. My Ideal (Richard Whiting / Neville Chase / Leo Robin)
4. Spikes (Ralph Bowen)
5. Under A Cloud (Ralph Bowen)
6. The First Stone (Ralph Bowen)
7. Inner Urge (Joe Henderson)
8. Meltdown (Ralph Bowen)
9. Peace (Horace Silver)

Total Time: 70:36

Recorded May 24, 2001 in Brooklyn, NY, USA by Max Bolleman


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